Showing posts with label Rockstar. Show all posts
Showing posts with label Rockstar. Show all posts

Sunday, 18 December 2011

Tum Ho Mere - Rockstar Lyrics

Rockstar






Tum Ho Mere 
Music Director : A. R. Rahman
Singer : Mohit Chauhan & Suzanne D Mello






Tum Ho

Tum ho Aas Mere ,Saath Mere
Ho tum Ho
Jitna Mahsoos Karun Tumko Utna bhi Pa Lun tumko

Tum Ho mere liye Mere Liye ho tum yun
Khud ko main haar gaya tumko
Tumko mein jeeta hoon

Kahin se kahin ko bhi
Aaoge Maza Chale

Pooche bina kisi se Hum mile
Bandishe na rahi
O

tum ho

Tum ho aas meere saath mere
Ho tum Ho
Jitna Mahsoos Karun Tumko Utna bhi Pa Lun tumko

Kis tarah cheene ga
Mujhse yeh jahan tumhein
Tum bui ho phir kya fikar ab humein

Tum Ho mere liye Mere Liye ho tum yun
Khud ko main haar gaya tumko
Tumko mein jeeta hoon

Tum Ho.

Saadda Haq - Rockstar Lyrics

Rockstar






Saadda Haq 
Music Director : A. R. Rahman
Singer : Mohit Chauhan









Tum logoki is duniya main
Har kadam pai insaan galat
Main sahi samaj kar jo bhi kahoon
Tum kahte ho galat
Main galat hoon toh (phir kaun sahi) x2

Marzi se jeene ki bhi main
kya tum sabko arzi doon
Matlab ki din sabka mujhpe
Mujhse bhi zyada haq ha

(SAADDA HAQ ATHE RAQ) x6
Na na nana nnana
Na na nana
Na na nana

HEY,
In gadaro main udharo main
Tum mere jeene ki adat ka
Kyun ghot rahe dum
Besaliqa main uss galli ka main
Na jisme ha haya, Na jisme sharam

Mann bole ke rashmain geene ka
Hathjana duniya dushman
Sab begana inhe aag lagana
(Mann Bole) x2
Mann se geena ya marzana

(SAADDA HAQ ATHE RAQ) x6
Na na nana nnana
Na na nana
Na na nana

O Eco friendly
Nature ke rakshak
Main bhi hoon nature
Rewazon se
Samajon se
Kyun…….ooooye.
Tu kaate mujhe
Kyun baate mujhe
Iss tarah.. (Ho ha.)

Kyun sach ka sabak sikhaye
Jab sach sun bhi na paye
Sach koi bole toh tu
Niyam kanoon bataye
Tera darr..
Tera pyar..
Teri wah..
Tu hi rakh
Rakh, saali
(SAADDA HAQ ATHE RAQ) x6

Kun Fayakun - Rockstar Lyrics

Rockstar



Kun Fayakun Music Director : A. R. Rahman
Singer : A. R. Rahman, Javed Ali, Mohit Chauhan








 Ya Nizamuddin Auliya, Ya Nizamuddin Salqa

Kadam Badhaa Le, Hadon Ko Mitaa Le,
Aaja Khaali Pan Mein Pee Ka Ghar Tera,
Tere Bin Khaali Aaja, Khali Pan Mein
Tere Bin Khaali Aaja, Khali Pan Mein

Oooooo. Oooooo.
Oooooo. Oooooo.
Oooooo.

Rangreza
Rangreza
Rangrezaa
Ho Rang-rezaaaa.

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Woh Jo Mujh Mein Samaya
Woh Jo Tujh Mein Samaya
Maula Wahi Wahi Maaya

Woh Jo Mujh Mein Samaya
Woh Jo Tujh Mein Samaya
Maula Wahi Wahi Maaya

Kun Faya Kun
Kun Faya Kun
SadaqAllahul-alliyul-Azeem

Rangreza Rang Mera Tan Mera Mann,
Le Le Rangaayi Chaahe Tan Chaahe Mann,
Rangreza Rang Mera Tan Mera Mann,
Le Le Rangaayi Chaahe Tan Chaahe Mann,

Sajra Savera Mere Tan Barse
Kajra Andhera Teri Jalti Lau

Sajra Savera Mere Tan Barse
Kajra Andhera Teri Jalti Lau
Katra Mila Jo Tere Dar Par Se
O Maula
Maula. Aaa

Kun Faya Kun
Kun Faya Kun
Kun Faya Kun
Kun Faya Kun

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Kun Faya Kun
Kun Faya Kun
SadaqAllahul-alliyul-Azeem
Sadaqa Rasulu-hun nabi-yun-kareem

Sallallaahu Alayhi Wasallam, Sallallaahu Alayhi Wasallam

O Mujhpe Karam Sarkar Tera
Araz Tujhe, Karde Mujhe, Mujhse Hi Riha
Ab Mujhko Bhi Ho, Deedaar Mera
Karde Mujhe, Mujhse Hi Riha
Mujhse Hi Rihaaaaaaaa

Mann Ke Mere Ye Bharam,
Kachche Mere Ye Karam
Leke Chale Hai Kahaan,
Main Toh Jaanoon Hi Na

Tu Hai Mujhmein Samaya,
Kahaan Leke Mujhe Aaya,
Main Hoon Tujhmein Samaya,
Tere Peeche Chala Aaya,
Tera Hi Main Ek Saaya,
Tune Mujhko Banaya,
Main Toh Jag Ko Na Bhaaya,
Tune Gale Se Lagaya
Ab Tu Hi Hai Khudaya,
Sach Tu Hi Hai Khudaya

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Kun Faya Kun
Kun Faya Kun
Faya Kun,
Faya Kun, Faya Kun, Faya Kun

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Jab Kahin Pe Kuch Nahi
Bhi Nahi Tha
Wahi Tha Wahi Tha
Wahi Tha Wahi Tha

Kun Faya Kun
Kun Faya Kun

SadaqAllahul-alliyul-Azeem
Sadaqa Rasulu-hun nabi-yun-kareem

Sallallaahu Alayhi Wasallam, Sallallaahu Alayhi Wasallam

Wednesday, 14 December 2011

Rockstar Earnings


Rockstar
 Rockstar  Verdict: Semi-hit
 Weekly Earnings: India Rs. 3.25 crore  Total Earnings: India Rs. 68.25 crore ; UK£365,000 ; US$986,000
 PB Rating: 8.0 out of 10  Public Rating (by 538 unique users): 6.11
 Director: Imtiaz Ali  Producer: Dhillin Mehta
 Music: A.R. Rahman  Lyrics: Irshad Kamil
 Starring: Ranbir Kapoor, Nargis Fakhri, Shammi Kapoor
 Genre: Musical  Recommended Audience: General

Checking out Imtiaz Ali’s Ranbir-Nargis starrer, `Rockstar`, the film saw a heavy fall during the third week. The film has also done very well in the Overseas, especially US.

Rockstar


Rockstar


Producer: Dhillin Mehta
Director: Imtiaz Ali
Starring: Ranbir Kapoor, Nargis Fakhri, Shammi Kapoor
Music: A.R. Rahman
Lyrics: Irshad Kamil
Genre: Musical
Recommended Audience: General
Film Released on: 11 November 2011



Rockstar is director Imtiaz Ali’s 4th directorial venture after Socha Na Tha, Jab We Met and Love Aaj Kal. His reputation now precedes him; if anyone does romances well, it is this man. Rockstar is also a romance. But unlike the first three which were mired somewhat in the practicalities of day-to-day life, Rockstar is a film about an ethereal love, transcending the boundaries of ordinary logic, reasoning and morality.
Janardhan Jhakar, or JJ (Ranbir) is a student of Hindu College, Delhi. A budding musician, JJ can’t seem to find his niche and get his talent noticed. Advised by a know-it-all well-wisher, Khatana bhai (Kumud Mishra), to experience pain and sorrow, for that is the hallmark of great artistes, JJ sets about trying to get his heart broken – the easy way, he thinks, to angst. When he hears that soon-to-be-married Heer Kaul (Nargis) of St. Stephen’s college (next door to Hindu) is a heart-breaker, he professes undying love to her. Little does he know that he will get more than he bargained for...
Rockstar is JJ’s story. It tells us of how Janardan Jakhar becomes Jordan, the mega rock-star. But at the core of it, this is a true-blue romance. Because wherever Jordan goes, and whatever condition he is in, he is always beset by thoughts of Heer. Imtiaz Ali portrays this love very well, from the nascent attraction that sneaks up on JJ and Heer and takes them unawares, to the irrefutable pull that they both cannot resist, even at the risk of societal condemnation and overstepping the bounds of morality.
The film is told in flashback fashion. Director Ali deftly spins through the story, working backwards, until he comes full circle. The beginning shots are of an eccentric, raggedy-looking rockstar Jordan, in full artist mode, sporting baggy almost salwar like pants and headgear, scuffling, running. Soon, however, we move backwards in time and meet Jordan as JJ. The first-half of the film is build-up; there is Janardhan, in all his middle class glory, resplendent in his high-waisted jeans, garish sleeveless sweaters and dorky haircut in the middle of a Delhi winter, lugging around his guitar. There are sessions in the college canteen with the portly Khatana bhai, who I guess is some kind of clerk at the college. The fabulous attention to detail made me nostalgic for that time and place, and by extension for Delhi itself. 
Rockstar

 Post-intermission, the lead pair are in the throes of a surreal love. The beautifully composed shots (Anil Mehta) are almost poetry in motion, and the mood is set by some soulful numbers (A R Rahman). Ali walks a fine line in depicting this love. It is other-worldly, and beatific, and Jordan and Heer are consumed by it. We get that this is a great romance, but Ali keeps this almost transcendental passion tethered in the real world with a skillful screenplay, so we, as viewers, are still engaged in the pair’s lives. It is proof of Ali’s artistry that he manages to bind together an interesting story with a depiction of such an intense romance, and still keep this film balanced, not letting it bog down by either the pragmatic or the ethereal.
Credit also goes to Ranbir Kapoor who gives it his all. He is dorky as the young student, suffused with angst as the bearded Jordan, and oh-so-broken-hearted in love. He lends his character charm and wit and innocence and carries the film. American model Nargis Fakhri will not win any awards for her weak acting skills (but then this is Bollywood, so she might), but she is a luminous beauty, and well-suited to the role. It is not hard to imagine that she, with her glowing good looks, is the object of such an intense passion. Kumud Mishra brought Khatana’s character to life wonderfully, Aditi Rao Hydari has a small role as Sheena, and Shammi Kapoor looked fragile in his last film appearance as Ustad Jameel Khan.
Finally I must also applaud the soundtrack. Rahman is a true genius, but his brilliance comes through in fits and spurts. In Rockstar fortunately, he delivers. “Jo Bhi Main” is wonderful, and “Kun Faya Kun” is awe-inspiring; it is of the caliber of his earlier “Yeh Jo Des hai” (Swades), “Khwaja Mere Khwaja” (Jodha-Akbar) and “Jaage Hain” (Guru) numbers. With lyrics by Irshad Kamil, and Mohit Chauhan’s voice (among others), this is an outstanding soundtrack.
This was quite a film. I fear that some of you might find the second half a tad “flighty”, but I quite loved it. Go, see it!

Friday, 25 November 2011

Rockstar

Rockstar
Rockstar  Verdict: Awaited
 Weekly Earnings: UK£185,000 ; US$612,235  Total Earnings: UK£185,000 ; US$612,235
 PB Rating: 8.0 out of 10  Public Rating (by 368 unique users): 7.44
 Director: Imtiaz Ali  Producer: Dhillin Mehta
 Music: A.R Rahman  Lyrics: Irshad Kamil
 Starring: Ranbir Kapoor, Nargis Fakhri, Shammi Kapoor
 Genre: Musical  Recommended Audience: General
After a good 34 crore weekend the Ranbir-Nargis starrer, `Rockstar`, has managed to hold on quite well during the weekdays and ended the week netting 50 crore (to be validated once actual numbers are out). The Imtiaz Ali directed `Rockstar` has confirmed Ranbir’s status as the youngest Bollywood superstar, something that was just a matter of time. The film has also done quite well in the Overseas.

Rockstar

Rockstar

Rockstar
Producer: Dhillin Mehta
Director: Imtiaz Ali
Starring: Ranbir Kapoor, Nargis Fakhri, Shammi Kapoor
Music: A.R Rahman
Lyrics: Irshad Kamil
Genre: Musical
Recommended Audience: General
Film Released on: 11 November 2011







Rockstar is director Imtiaz Ali’s 4th directorial venture after Socha Na Tha, Jab We Met and Love Aaj Kal. His reputation now precedes him; if anyone does romances well, it is this man. Rockstar is also a romance. But unlike the first three which were mired somewhat in the practicalities of day-to-day life, Rockstar is a film about an ethereal love, transcending the boundaries of ordinary logic, reasoning and morality.
Rockstar

Janardhan Jhakar, or JJ (Ranbir) is a student of Hindu College, Delhi. A budding musician, JJ can’t seem to find his niche and get his talent noticed. Advised by a know-it-all well-wisher, Khatana bhai (Kumud Mishra), to experience pain and sorrow, for that is the hallmark of great artistes, JJ sets about trying to get his heart broken – the easy way, he thinks, to angst. When he hears that soon-to-be-married Heer Kaul (Nargis) of St. Stephen’s college (next door to Hindu) is a heart-breaker, he professes undying love to her. Little does he know that he will get more than he bargained for...

Rockstar
 The film is told in flashback fashion. Director Ali deftly spins through the story, working backwards, until he comes full circle. The beginning shots are of an eccentric, raggedy-looking rockstar Jordan, in full artist mode, sporting baggy almost salwar like pants and headgear, scuffling, running. Soon, however, we move backwards in time and meet Jordan as JJ. The first-half of the film is build-up; there is Janardhan, in all his middle class glory, resplendent in his high-waisted jeans, garish sleeveless sweaters and dorky haircut in the middle of a Delhi winter, lugging around his guitar. There are sessions in the college canteen with the portly Khatana bhai, who I guess is some kind of clerk at the college. The fabulous attention to detail made me nostalgic for that time and place, and by extension for Delhi itself.
Rockstar is JJ’s story. It tells us of how Janardan Jakhar becomes Jordan, the mega rock-star. But at the core of it, this is a true-blue romance. Because wherever Jordan goes, and whatever condition he is in, he is always beset by thoughts of Heer. Imtiaz Ali portrays this love very well, from the nascent attraction that sneaks up on JJ and Heer and takes them unawares, to the irrefutable pull that they both cannot resist, even at the risk of societal condemnation and overstepping the bounds of morality. 
Post-intermission, the lead pair are in the throes of a surreal love. The beautifully composed shots (Anil Mehta) are almost poetry in motion, and the mood is set by some soulful numbers (A R Rahman). Ali walks a fine line in depicting this love. It is other-worldly, and beatific, and Jordan and Heer are consumed by it. We get that this is a great romance, but Ali keeps this almost transcendental passion tethered in the real world with a skillful screenplay, so we, as viewers, are still engaged in the pair’s lives. It is proof of Ali’s artistry that he manages to bind together an interesting story with a depiction of such an intense romance, and still keep this film balanced, not letting it bog down by either the pragmatic or the ethereal.

Rockstar
Credit also goes to Ranbir Kapoor who gives it his all. He is dorky as the young student, suffused with angst as the bearded Jordan, and oh-so-broken-hearted in love. He lends his character charm and wit and innocence and carries the film. American model Nargis Fakhri will not win any awards for her weak acting skills (but then this is Bollywood, so she might), but she is a luminous beauty, and well-suited to the role. It is not hard to imagine that she, with her glowing good looks, is the object of such an intense passion. Kumud Mishra brought Khatana’s character to life wonderfully, Aditi Rao Hydari has a small role as Sheena, and Shammi Kapoor looked fragile in his last film appearance as Ustad Jameel Khan.
Finally I must also applaud the soundtrack. Rahman is a true genius, but his brilliance comes through in fits and spurts. In Rockstar fortunately, he delivers. “Jo Bhi Main” is wonderful, and “Kun Faya Kun” is awe-inspiring; it is of the caliber of his earlier “Yeh Jo Des hai” (Swades), “Khwaja Mere Khwaja” (Jodha-Akbar) and “Jaage Hain” (Guru) numbers. With lyrics by Irshad Kamil, and Mohit Chauhan’s voice (among others), this is an outstanding soundtrack.